Shout out to EBO.... This artwork is so on point. The style is one of a kind concept art. Being a muralist by trade myself I have always had such respect for this art. More so now that we find ourselves with so much time on our hands. Please take a look at some of the quarantine pieces that have been entertaining GWN fans. The color manipulation in this art is beautiful. Stay home, stay safe!
BellaBassFly
BellaBassFly is YOUR SOURCE FOR THE FRESHEST UNDERGROUND CULTURE DAILY! Only the BEST GLOBAL MEDIA! Global press, Entertainment , Dance , Film , Art & Technology. BellaBassFly provides exclusive NEW content from the most cutting edge platforms on earth. Celebrate everyday life with BellaBassFly! FREE DOWNLOADS DAILY! WARNING: MATURE CONTENT
Tuesday, April 14, 2020
"is it?" Nyrus Rope Dart Video
Been waiting for Nyrus to release some new music before posting this, and it has finally arrived! This is my favorite track of his. Find all his music at https://soundcloud.com/nyrusbeats
Thanks for the key framing Andrew Burgher!
Rope dart by Dark Monk
Thanks for the key framing Andrew Burgher!
Rope dart by Dark Monk
Monday, April 13, 2020
QUARANTINE ART ON VENICE BEACH
Stay safe!
It's Pony Wave. Few days ago I did a Mural devoted to the current situation of the coronavirus and quarantine.
We all are going through this together.
There is a reason which we will see after all.
It’s time to look at ourselves. Take a look at what are we doing with the planet and our lifetime.
Mb we should change our priorities?
Mb we should slowdown?
Mb we should take a look around and start respect our planet and all those with whom we share it?
Mb someone is trying to hide some changes? Or economic collapse?
There is definitely a reason. And not just one.
P.s. please stay inside! I promise to come back to Venice when it will be over and paint. So let’s meet there when everything will be fine. But for now please stay inside!
Stay safe ! Sending you love !
For more photos and videos:
Instagram Pony Wave
https://instagram.com/ponywave?igshid...
Tik Tok
https://vm.tiktok.com/4MQ9fM/
Production by
http://www.crystallizedfilms.com
https://instagram.com/max__kote?r=nam...
I will see you in next video!
Я люблю вас! До свидания!
Music
a-big-adventure by Fassounds
an-issue by Lalinea
tornado by Anton Vlasov
Artist License Number 130046
It's Pony Wave. Few days ago I did a Mural devoted to the current situation of the coronavirus and quarantine.
We all are going through this together.
There is a reason which we will see after all.
It’s time to look at ourselves. Take a look at what are we doing with the planet and our lifetime.
Mb we should change our priorities?
Mb we should slowdown?
Mb we should take a look around and start respect our planet and all those with whom we share it?
Mb someone is trying to hide some changes? Or economic collapse?
There is definitely a reason. And not just one.
P.s. please stay inside! I promise to come back to Venice when it will be over and paint. So let’s meet there when everything will be fine. But for now please stay inside!
Stay safe ! Sending you love !
For more photos and videos:
Instagram Pony Wave
https://instagram.com/ponywave?igshid...
Tik Tok
https://vm.tiktok.com/4MQ9fM/
Production by
http://www.crystallizedfilms.com
https://instagram.com/max__kote?r=nam...
I will see you in next video!
Я люблю вас! До свидания!
Music
a-big-adventure by Fassounds
an-issue by Lalinea
tornado by Anton Vlasov
Artist License Number 130046
MAPY �� - Underdog Remix by Alicia Keys (violin cover)
Click this link to download my new single "Dreams" 🎻📀 ► http://Smarturl.it/Mapy.Dreams
Mapy : Hip-Hop, Afrobeat & Soca Violinist
Underdog Remix by Alicia Keys ft Chronixx, Protoje - violin cover - #Underdog #AliciaKeys #Mapy #ViolinQueen #Cover #UnderdogChallenge
Instagram : iammapy
Facebook : Mapy Violinist
Twitter : MapyViolinist
www.mapyviolinist.com
For all bookings and business inquiries : mgmt@mapyviolinist.com
Mapy : Hip-Hop, Afrobeat & Soca Violinist
Underdog Remix by Alicia Keys ft Chronixx, Protoje - violin cover - #Underdog #AliciaKeys #Mapy #ViolinQueen #Cover #UnderdogChallenge
Instagram : iammapy
Facebook : Mapy Violinist
Twitter : MapyViolinist
www.mapyviolinist.com
For all bookings and business inquiries : mgmt@mapyviolinist.com
Healing The World from Covid-19
This is amazing. We as a people must harness all energy towards the greater good and the protection of our families. Respect the traditions of our native people across the globe. Let us all pray to a higher power to do away with
Covid- 19. Cast out any dark energy. Protect your community. Beautiful hoop dancing and native singing. I spied a short clip of A-Mountain in Tucson. Here at BellaBassFly we represent unity through dance. Stay home, stay safe. Keep dancing. Keep singing for the greater good.
BellaBassFly
Covid- 19. Cast out any dark energy. Protect your community. Beautiful hoop dancing and native singing. I spied a short clip of A-Mountain in Tucson. Here at BellaBassFly we represent unity through dance. Stay home, stay safe. Keep dancing. Keep singing for the greater good.
BellaBassFly
The Native American Hoop Dance is considered a healing dance. The Hoop Dancers across the United States and Canada wanted to offer our healing to the world. The dance offers up a prayer to the Creator as we battle the Covid19 pandemic. May all our prayers be heard. Happy Easter From the Native American Hoop Dance Community 2020
Video Edited by
Eric Hernandez
#HappyEaster
#healing
#Hoopdance
Speaker
Dennis Bowen Sr.
Seneca Nation Bear Clan
Allegany Seneca Territory
Singers
Ryon Polequaptewa
Hopi
Steve LaRance
Hopi
Kenny Duncan
San Carlos Apache
Hoop Dancers
Ann Abeyta
Eastern Shoshone/Isleta Pueblo
Jackie Bird
Mandan Hidatsa/ Arikara
Cody Boettner
Creek
Josiah Enriquez
Pojoaque Pueblo
Celina Cada-Matasawagon
Ojibway
Erin Goedel Campbell
Yakama/Tulalip/Lumbee
Jerry First Charger
Blood
Vince Davis
Hopi/Choctaw
Kevin Duncan
San Carlos Apache
Sky Duncan
San Carlos Apache /Mhahidasa
Tony Duncan
San Carlos Apache /Mhahidasa
Violet Duncan
Plains Cree
Jonathan Dane Feather
Cherokee/Lakota
Terry L Goedel
Yakama/Tulalip
Michael Goedel
Yakama/Tulalip/Lumbee
Brian Hammill
Hochunk
Nedallas Hammill
Dine’/Hochunk
Eric Hernandez
Lumbee
Tomas Hunt
Dine’
James Jones
Tall cree First Nation
Tara Goedel Kingi
Yakama/Tulalip/Lumbee
Shandien LaRance
Hopi/ Tewa
Nakota LaRance
Hopi/ tewa
Samuel Joe Losik
Tulalip/Yakama
Melia Losik
Tualip/Yakama
Lisa Odjig
Odawa/Ojibwe
Meredith Schramm
Omaha
Joseph Secody
Dine’
Moontee Sinquah
Hopi/ Tewa/ Choctaw
Sampson Sinquah
Gila River Pima/ Hopi/ Cherokee
Scott Sinquah
Gila River Pima/ Hopi/ Cherokee
Ginger Sykes
Torres Navajo
Naakaii Tsosie
Navajo
Patrick Willie
Navajo
Dallas Arcand
Yellowdirt Alexander First Nation
Sandra Yellowhorn
Blackfoot
Rueben Zendejas
Omaha
Sunday, April 12, 2020
Animalism
Awesome spot created using Lockdown in After Effects by Suren Manukyan. Check out the graphics only version: https://youtu.be/qoNpkQp7B9s
Humans have been using animals as inspiration for everting from innovation to Art. And here's my animal print inspiration.
Check out Suren's Behance page for this project: https://www.behance.net/gallery/91982...
Get Lockdown: https://aescripts.com/lockdown
#aftereffects #aescripts #lockdownAE
Humans have been using animals as inspiration for everting from innovation to Art. And here's my animal print inspiration.
Check out Suren's Behance page for this project: https://www.behance.net/gallery/91982...
Get Lockdown: https://aescripts.com/lockdown
#aftereffects #aescripts #lockdownAE
Pleasurekraft – Novacene
https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP Love in the Age of Machines.
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's “Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
Love in the Age of Machines is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in Last Sapien, to the dark, rainy, urban-lit textures that form the spine of Nostalgic for the Future, there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on I Sing the Body Electric & Main Sequence which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of Novacene. Two more hard hitting bangers in At The Mountains of Madness and Primordial then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song Requiem For the American Dream.
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."
Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on The Occupant, and the potential seed for our enlightenment is planted in Corpse Reviver Number 3, a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately Love in the Age of Machines feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes Love in the Age of Machines such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP Love in the Age of Machines.
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's “Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
Love in the Age of Machines is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in Last Sapien, to the dark, rainy, urban-lit textures that form the spine of Nostalgic for the Future, there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on I Sing the Body Electric & Main Sequence which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of Novacene. Two more hard hitting bangers in At The Mountains of Madness and Primordial then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song Requiem For the American Dream.
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."
Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on The Occupant, and the potential seed for our enlightenment is planted in Corpse Reviver Number 3, a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately Love in the Age of Machines feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes Love in the Age of Machines such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.
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