Monday, April 13, 2020

QUARANTINE ART ON VENICE BEACH







Stay safe!
It's Pony Wave. Few days ago I did a Mural devoted to the current situation of the coronavirus and quarantine.

We all are going through this together.
There is a reason which we will see after all.
It’s time to look at ourselves. Take a look at what are we doing with the planet and our lifetime.
Mb we should change our priorities?
Mb we should slowdown?
Mb we should take a look around and start respect our planet and all those with whom we share it?
Mb someone is trying to hide some changes? Or economic collapse?

There is definitely a reason. And not just one.

P.s. please stay inside! I promise to come back to Venice when it will be over and paint. So let’s meet there when everything will be fine. But for now please stay inside!

Stay safe ! Sending you love !

For more photos and videos:

Instagram Pony Wave

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Tik Tok

https://vm.tiktok.com/4MQ9fM/

Production by

http://www.crystallizedfilms.com

https://instagram.com/max__kote?r=nam...


I will see you in next video!

Я люблю вас! До свидания!

Music

a-big-adventure by Fassounds

an-issue by Lalinea

tornado by Anton Vlasov



Artist License Number 130046

MAPY �� - Underdog Remix by Alicia Keys (violin cover)




Click this link to download my new single "Dreams" 🎻📀 ► http://Smarturl.it/Mapy.Dreams
Mapy : Hip-Hop, Afrobeat & Soca Violinist
Underdog Remix by Alicia Keys ft Chronixx, Protoje - violin cover -
#Underdog #AliciaKeys #Mapy #ViolinQueen #Cover #UnderdogChallenge
Instagram : iammapy
Facebook : Mapy Violinist
Twitter : MapyViolinist
www.mapyviolinist.com
For all bookings and business inquiries : mgmt@mapyviolinist.com







Healing The World from Covid-19

This is amazing. We as a people must harness all energy towards the greater good and the protection of our families. Respect the traditions of our native people across the globe. Let us all pray to a higher power to do away with
Covid- 19.  Cast out any dark energy. Protect your community. Beautiful hoop dancing and native singing. I spied a short clip of A-Mountain in  Tucson. Here at BellaBassFly we represent unity through dance. Stay home, stay safe. Keep dancing. Keep singing for the greater good.



BellaBassFly 

The Native American Hoop Dance is considered a healing dance. The Hoop Dancers across the United States and Canada wanted to offer our healing to the world. The dance offers up a prayer to the Creator as we battle the Covid19 pandemic. May all our prayers be heard. Happy Easter From the Native American Hoop Dance Community 2020 Video Edited by Eric Hernandez #HappyEaster #healing #Hoopdance Speaker Dennis Bowen Sr. Seneca Nation Bear Clan Allegany Seneca Territory Singers Ryon Polequaptewa Hopi Steve LaRance Hopi Kenny Duncan San Carlos Apache Hoop Dancers Ann Abeyta Eastern Shoshone/Isleta Pueblo Jackie Bird Mandan Hidatsa/ Arikara Cody Boettner Creek Josiah Enriquez Pojoaque Pueblo Celina Cada-Matasawagon Ojibway Erin Goedel Campbell Yakama/Tulalip/Lumbee Jerry First Charger Blood Vince Davis Hopi/Choctaw Kevin Duncan San Carlos Apache Sky Duncan San Carlos Apache /Mhahidasa Tony Duncan San Carlos Apache /Mhahidasa Violet Duncan Plains Cree Jonathan Dane Feather Cherokee/Lakota Terry L Goedel Yakama/Tulalip Michael Goedel Yakama/Tulalip/Lumbee Brian Hammill Hochunk Nedallas Hammill Dine’/Hochunk Eric Hernandez Lumbee Tomas Hunt Dine’ James Jones Tall cree First Nation Tara Goedel Kingi Yakama/Tulalip/Lumbee Shandien LaRance Hopi/ Tewa Nakota LaRance Hopi/ tewa Samuel Joe Losik Tulalip/Yakama Melia Losik Tualip/Yakama Lisa Odjig Odawa/Ojibwe Meredith Schramm Omaha Joseph Secody Dine’ Moontee Sinquah Hopi/ Tewa/ Choctaw Sampson Sinquah Gila River Pima/ Hopi/ Cherokee Scott Sinquah Gila River Pima/ Hopi/ Cherokee Ginger Sykes Torres Navajo Naakaii Tsosie Navajo Patrick Willie Navajo Dallas Arcand Yellowdirt Alexander First Nation Sandra Yellowhorn Blackfoot Rueben Zendejas Omaha

Sunday, April 12, 2020

Animalism




Awesome spot created using Lockdown in After Effects by Suren Manukyan. Check out the graphics only version: https://youtu.be/qoNpkQp7B9s

Humans have been using animals as inspiration for everting from innovation to Art. And here's my animal print inspiration.

Check out Suren's Behance page for this project:
https://www.behance.net/gallery/91982...

Get Lockdown:
https://aescripts.com/lockdown


#aftereffects #aescripts #lockdownAE

Pleasurekraft – Novacene




https://fanlink.to/LitAoM

Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP Love in the Age of Machines.

Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's “Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 

Love in the Age of Machines is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in Last Sapien, to the dark, rainy, urban-lit textures that form the spine of Nostalgic for the Future, there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 

Things get more intense and turbulent on Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on I Sing the Body Electric & Main Sequence which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of Novacene. Two more hard hitting bangers in At The Mountains of Madness and Primordial then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song Requiem For the American Dream.

As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on The Occupant, and the potential seed for our enlightenment is planted in Corpse Reviver Number 3, a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  

Ultimately Love in the Age of Machines feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes Love in the Age of Machines such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Saturday, April 11, 2020

GoPro Awards: #HomePro Freeride Skiing




Stay safe, #StayHome. GoPro Awards recipient @Philipp Klein Herrero takes us down the slopes of his living room in his #HomePro challenge submission, "Freeride at Home".

“What inspired me was to try to put all the negative news on pause and put a smile onto peoples’ faces. If I wasn’t home, I’d be skiing, my biggest passion, so I found a way to ski at home.” - @philippklein

Every day, from March 23 through April 30 we will pick 5 of our favorite content submissions and award the creator their choice of a
#GoProHERO8 Black or #GoProMAX camera + 5 years of #GoProPLUS, free!

No GoPro? No problem. This contest is open to footage from any camera including your phone. The FREE
#GoProApp is awesome for editing footage shot with any camera!

Here’s how to enter:
1 - Download the free GoPro App
2 - Use the GoPro App then post a photo or video that shows us your HomePro moment to Instagram, Youtube, Facebook or TikTok
3 - Add
#GoPro #HomePro to your post so we can find it and consider it for the daily giveaway.

Shot 100% on GoPro:
https://bit.ly/2RtBDfT
Get stoked and subscribe:
http://goo.gl/HgVXpQ


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#GoPro

Creamfields Lockdown Session - Easter Weekend




#stayathome #stayhome #easterweekendlockdown

0:00 - The Prodigy - Out of Space
1:25 - Avicii - Levels
2:22 - Avicii - Hey Brother
3:45 - Calvin Harris - I'm Not Alone
6:13 - Scooter - Weekend
6:31 - Scooter - The Logical Song
9:09 - Fatboy Slim - Right Here, Right Now
10:22 - Rudimental - Feel the Love
12:10 - Swedish House Mafia - Don't You Worry Child

Arranged, Produced and Edited by Steve Pycroft

VIOLINS: Simmy Singh, Elaine Ambridge, Andra Vornicu,
Dee Dee Roberts, Madeleine Fitzgerald, Laura McKinlay
VIOLAS: Rhiannon James, Sophia Dignam, Sarah Leonard
CELLOS: Andy Crick, Polly Virr, Rachel Shakespeare
DOUBLE BASSES: Joshua Cavanagh-Brierley, Alice Phelps
FLUTE: Jenny Dyson
OBOE: Bea Hubble
CLARINET: Harry Michalas
BASSOON: Eleanor Mills
FRENCH HORNS: Rupert Browne, Calum Ward
TRUMPETS: Mark Harrison, Roland Parsons
TROMBONE: Rhiannon Harrison
BASS TROMBONE: Rich McVeigh
GUITAR: Thomas Dibb
BASS: Sam Vicary
SPD: Steve Pycroft

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