Happy Easter! Please practice gratitude by staying safe inside. This is a season of selflessness. For all the exceptional heroes we are all very grateful for your bravery. Thank you! Nobody sings HERO better than MIMI....
BellaBassFly
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Saturday, April 11, 2020
Gareth Emery - Elise ft Annabel (Official Music Video)
Gareth Emery and juggernaut vocalist Annabel have once again created a heartfelt visualization of the global pandemic taking place around the world. Times like these every moment counts. I watched as countless entertainers were bolting to make the gate before their last opportunity to fly home to each of their native countries. I found solace in seeing who made it back safe. Arriving home safely is a blessing. Enjoy your homes. Celebrate your good health. Practice gratitude by staying home.
BellaBassFly
BellaBassFly
Closing track of the upcoming Gareth Emery album 'The Lasers'.
Stream "Elise" here:
https://cmg.ffm.to/elise
Pre-save THE LASERS here:
https://cmg.ffm.to/gethelasers
Limited edition "We'll Be OK" shirts available here:
https://www.garethemerymerch.com
http://instagram.com/garethemery
http://facebook.com/garethemery
http://garethemery.com
http://twitter.com/garethemery
Stream "Elise" here:
https://cmg.ffm.to/elise
Pre-save THE LASERS here:
https://cmg.ffm.to/gethelasers
Limited edition "We'll Be OK" shirts available here:
https://www.garethemerymerch.com
http://instagram.com/garethemery
http://facebook.com/garethemery
http://garethemery.com
http://twitter.com/garethemery
Friday, April 10, 2020
ODESZA - Loyal & Don't Stop Live at Coachella 2018
This 2018 performance live at Coachella is nothing short of magnificent. ODESZA is the literal physical form of "fresh air" ... Read that again. Very few create such buzz and emotion from overwhelmed concert goers who are simply stunned after encountering ODESZA live. Sharing this video now is the perfect remedy for all the people missing these moments out listening your favorite artists perform. This moment embodies an emotion so many of us are missing. Gratitude for all the amazing music and unforgettable snapshots of perpetual song & bliss. Hats off!
BellaBassFly
BellaBassFly
Full video of our performance of Loyal & Don’t Stop at @Coachella 2018 featured in the new YouTube Originals documentary, "Coachella: 20 Years in the Desert”.
2 years ago was one of the most memorable experiences of our lives. Thank you Coachella.
“Coachella: 20 Years in the Desert” documentary out April 10 at noon PT: youtube.com/coachella
The documentary features two decades in the making, “Coachella: 20 Years in the Desert” opens up the vault for the very first time to present the performances and behind-the-scenes stories that shaped the music festival. The film gives a rare look at Coachella’s colorful beginning, presents exclusive, never-before-seen footage, interviews, and features key performances from some of the biggest names in music.
#coachelladoc #couchella #coachella
2 years ago was one of the most memorable experiences of our lives. Thank you Coachella.
“Coachella: 20 Years in the Desert” documentary out April 10 at noon PT: youtube.com/coachella
The documentary features two decades in the making, “Coachella: 20 Years in the Desert” opens up the vault for the very first time to present the performances and behind-the-scenes stories that shaped the music festival. The film gives a rare look at Coachella’s colorful beginning, presents exclusive, never-before-seen footage, interviews, and features key performances from some of the biggest names in music.
#coachelladoc #couchella #coachella
Pleasurekraft ft Thomas Gandey - Panopticon (The Patron Saint of Global ...
STREAM FULL ALBUM: https://fanlink.to/LitAoM
#CosmicTechno
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP Love in the Age of Machines.
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's “Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
Love in the Age of Machines is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in Last Sapien, to the dark, rainy, urban-lit textures that form the spine of Nostalgic for the Future, there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on I Sing the Body Electric & Main Sequence which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of Novacene. Two more hard hitting bangers in At The Mountains of Madness and Primordial then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song Requiem For the American Dream.
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."
Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on The Occupant, and the potential seed for our enlightenment is planted in Corpse Reviver Number 3, a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately Love in the Age of Machines feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes Love in the Age of Machines such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.
Reading list for those interested:
Like War - PW Singer & Emerson T Brooking
Life 3.0 - Max Tegmark
Weapons of Math Destruction - Cathy O'Neil
Superintelligence - Nick Bostrom
The Case Against Reality - Daniel Hoffman
Homo Deus - Yuval Harari
Future Politics - Jamie Susskind
The Age of Surveillance Capitalism - Shoshana Zuboff
Our Final Invention - James Barrat
A World Without Work - Daniel Susskind
Human Compatible - Stuart Russel
The Precipice - Toby Ord
www.soundcloud.com/pleasurekraft
www.instagram.com/pleasurekraftofficial
www.pleasurekraft.com
www.twitter.com/pleasurekraft
www.facebook.com/pkmusic
#CosmicTechno
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP Love in the Age of Machines.
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's “Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
Love in the Age of Machines is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in Last Sapien, to the dark, rainy, urban-lit textures that form the spine of Nostalgic for the Future, there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on I Sing the Body Electric & Main Sequence which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of Novacene. Two more hard hitting bangers in At The Mountains of Madness and Primordial then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song Requiem For the American Dream.
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."
Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on The Occupant, and the potential seed for our enlightenment is planted in Corpse Reviver Number 3, a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately Love in the Age of Machines feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes Love in the Age of Machines such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.
Reading list for those interested:
Like War - PW Singer & Emerson T Brooking
Life 3.0 - Max Tegmark
Weapons of Math Destruction - Cathy O'Neil
Superintelligence - Nick Bostrom
The Case Against Reality - Daniel Hoffman
Homo Deus - Yuval Harari
Future Politics - Jamie Susskind
The Age of Surveillance Capitalism - Shoshana Zuboff
Our Final Invention - James Barrat
A World Without Work - Daniel Susskind
Human Compatible - Stuart Russel
The Precipice - Toby Ord
www.soundcloud.com/pleasurekraft
www.instagram.com/pleasurekraftofficial
www.pleasurekraft.com
www.twitter.com/pleasurekraft
www.facebook.com/pkmusic
Thursday, April 9, 2020
CORONAVIDEO - RB Dance Company
La RB Dance Company s'équipe contre le Coronavirus...
Stories, le spectacle de la RB Dance Company sera au Casino de Paris les 12 et 13 mars 2020
➡ http://bit.ly/StoriesCasinodeParis12mars
➡ http://bit.ly/StoriesCasinodeParis13mars
Stories, le spectacle de la RB Dance Company sera au Casino de Paris les 12 et 13 mars 2020
➡ http://bit.ly/StoriesCasinodeParis12mars
➡ http://bit.ly/StoriesCasinodeParis13mars
Waves of Action - 3D Teaser 2020 | Motion Graphics & 3D Animation Produc...
A series of 3D artworks to be used in our upcoming showreel. Stay tuned (at home) guys :)
#motiongraphics
#3danimation
#mograph
#3dproduction
#animationstudio
#motiongraphics
#3danimation
#mograph
#3dproduction
#animationstudio
Technical Hitch - The Logical Indian
video editor: hi-tech sergio (https://www.youtube.com/c/HiTechSergi...)
Genre: High-Tech
BPM: 180
Year: 2020
video fragment from:
https://www.behance.net/gallery/75682...
https://www.youtube.com/watch?v=3bLUR...
https://vimeo.com/264762943
Genre: High-Tech
BPM: 180
Year: 2020
video fragment from:
https://www.behance.net/gallery/75682...
https://www.youtube.com/watch?v=3bLUR...
https://vimeo.com/264762943
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