Wednesday, October 12, 2016

Sam Paganini feat Zøe - The Beat - Drumcode - DC162

Beatport link - http://bit.ly/DC162BP


Sam Paganini makes his return to Drumcode after his chart topping album 'Satellite' with a four track, pounding EP. 'The Beat', is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.

Video by: https://www.facebook.com/NUSkU.produc...

Bojan - Six Million [Played by Fedde Le Grand]

Taken from DanceTrippin Episode 467 → Fedde Le Grand | Solar Weekend | Netherlands


Watch the full episode → http://bit.ly/2dNUPAi

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BT - Artifacture

Pre-Order: https://bt.choons.at/_


“Prophet”, “visionary”; “maven”, “auteur”: when it comes to descriptions of the renowned, Brian Transeau’s likely heard them all. Engineer of ‘IMA’, ‘ESCM’, ‘Movement In Still Life’ and others - his discography is lined with albums that qualify amongst electronic music’s most seminal. Now, in a continuance of his more experimental/theoretical releases, BT has crafted a spiritual successor to works like 2006’s ‘This Binary Universe’ and 'If The Stars Were Eternal' (2012). 

‘Dash’? ‘Underscore’? ‘X’? ‘The Album With No Name’?! Right now, there’s no right or wrong way to articulate the title of _. It’s open to interpretation. Yours to reference, entirely as you will. When the future comes, consensus shall decide. Right now, all open source.Filmic, thematic, dramatic? You’d expect nothing less from this release. Asymmetric, anti-algorhythmic and, by design, hard to predict? Likewise, without a doubt. With a trace of Future Sound of London and an evident edge of John Cage, it’s assembled, classically, into 6 tracks, bridged by 3 Movements. It’s also a musical composition in the truest sense of the expression. 

Linking the album’s tracks are its 'Artifacture', 'Indivism' & 'Ω' Movements; BT’s modernist take on the classical composition structure. Sonically, each is a minor work of art in itself. Collectively however they make up a 25 section sequence of (as BT defines them) “inter-compositional-themes”), creating 45 minutes of constantly flowing, ever-developing tonality. Every section/Movement - some as short as a minute - is represented by an Italian language subtitle. 'Artifracture’s middle section bridge for example is made up of ‘La Vita Sotto il Mare’ and ‘Niente di Tutto Qualcosa’ (or ‘Life Under the Sea’ and ‘Nothing, Everything, Something’). Using wordplay, metaphor and nuance, when translated, each one subtly relates to what’s occurring musically within the composition. 

BT’s album is, as ever, impelled as much by advancements in technology & technique, as it is mood, emotion & inclination. Alongside its more discernible breakthroughs, are far less perceptible and more complex ones. Deep within its cortex, innovative techniques and (per BT) “insane” amounts of new sound design modalities come in to play - all atomically micro-crafting its extraordinary universe.

Working alongside the music are the album’s visual components. The 9 pieces are completed by companion videos, each shot by BT himself. Each, in someway, either inspires the location of the video, or its location has inspired the music. End-to-end, they form a featurette, which - with each passing minute, draws you further and further into the album’s AV relationship. 

Location, itself, plays a substantial part in the culture of the album too. It was recorded in places as close (relatively) as Maine & Maryland and as far apart as Iceland, China, Poland, Bora Bora and Australia. The composition of 'Artifracture’ alone, took place in studios located in countries on all 7 continents. The title’s connotations are occasionally as apparent as ‘Found In Translation’ and ‘Tokyo’ (both recorded primarily in Japan). More often though their associations are more suggestive and undertone-like in nature - there for the listener to absorb after looped plays. Likely you’ll be Googling ‘The Code Of Hammurabi’ before so very long.This is an album that works on two significantly different levels. The first, as a dazzlingly, thrilling end-to-end sound-array / feat of technological accomplishment. The other, as a multimedia enigma - an armchair Easter egg hunt, or sonic crossword, where each listen brings new levels of interpretation, enjoyment and appreciation. Whichever way you choose to absorb it, one thing’s for certain: BT - that arch guardian of the avant-garde, has delivered again. 

01 Tokyo
02 The Code Of Hammurabi
03 Lustral 
04 Lost In Translation
05 nArtifracture
06 Indivisim
07 Ω
08 Chromatophore
09 Five Hundred and Eighty Two

http://btmusic.com
https://facebook.com/bt 
https://twitter.com/bt 
https://soundcloud.com/bt

Aerial Camera by http://www.Guerillafly.com
Edited by Zac Crosby.

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Tuesday, October 11, 2016

Noisia - Mantra (Official Video)

This is the official video for 'Mantra' - a track taken from our recent album 'Outer Edges'. https://outer-edges.noisia.nl

Another massive track off the 'Outer Edges' album. Noisia setting the standard in 2016! Check out the new official music video!



Read the story behind this video: https://www.noisia.nl/2016/10/mantra-...

Directed by Sil van der Woerd http://www.silvanderwoerd.com

Jamie xx - Gosh Directed by Romain Gavras

Taken from the album, In Colour, out now on Young Turks.

Get the vinyl and more here: http://yt-r.uk/InColourYT


Spectacular visual. A masterpiece.


    --BellaBassFly

Directed by Romain Gavras

Produced by Iconoclast 
Executive Producer: Roman Pichon Herrera 
Line Producer: Arnaud Le Méné 
Production Coordinator: Mélodie Buchris 

Director of Photography: Mattias Rudh 

Movi and Drone Operator: Myron Mance 
Drone Pilot: Malan Thinus 

Stylist: Hannah Edwards 

Casting: Philippe Elkoubi 
Introducing Hassan Kone 

Production Services: Eagle Media 
Producer: Edmond Tao 
Line Producer (China): Quoi Zhang Jing




1st assistant camera: Zhu « Leo » Lian 
Grip: Adrian Wigerdal 

1st Assistant Director: Thomas Chow 
2nd Assistant Director: Wang Zhi Rong 

Editor: Walter Mauriot 
Colourist: Mathieu Caplanne 
Flame Artist: Clément Germain 
Sound Editor: Marco Casanova 
Post Production Supervisor: Renaud Coulon 

Editing and Grading Services: Poster 
Coordinator: Cyril Bordesoulle 

Special Effects: Mathematics 
Supervisor: Emeric Samier 
Coordinator: Guillaume Marien 

Special Thanks: Charles-Marie Anthonioz, Patrick de Bana, Mourad Belkeddar, Kim Chapiron, Sean Fenn, Larry Jackson, Nicolas Lhermitte, Helena Martin, Jonathan O’Connell, Caius Pawson, Pontus Rönn, Stefan Van Zyl, Xiaolong Martial Arts School http://jamiexx.com
https://www.facebook.com/jamiexxofficial
https://instagram.com/jamie___xx
http://theyoungturks.co.uk

http://vevo.ly/yUKFFq

2CELLOS - Highway to Hell [Live at Arena di Verona]

http://www.facebook.com/2Cellos

http://www.instagram.com/2cellosofficial 

2CELLOS Luka Sulic and Stjepan Hauser performing Highway to Hell by AC/DC at their historical 5th anniversary concert at Arena di Verona, May 2016

Dusan Kranjc, drums

Filmed by MedVid produkcija

Directed by Kristijan Burlovic
Video editing by Stjepan Hauser & Ivan Stifanic
Sound by Stjepan Hauser, Miro Vidovic & Filip Vidovic

CGI Animated Short Film HD: "Catzilla Short" by Platige Image / Bent 'subsquare' Stamnes

CGI Animated Short Film Catzilla by Platige Image. Featured on http://www.cgmeetup.net/home/catzilla...


Catzilla a realtime PC benchmark. It was made with a nice collaboration with Platige Image. Plastic Demoscene Group did the code, they did the art. The music was made exclusively by Bent ‘subsquare’ Stamnes.

The main idea of the project was to develop an antithesis of other benchmark productions which are mostly boring and aesthetically weak. Michał Staniszewski from the demoscene Plastic group came to us with a draft of an interesting, action-filled story with a unique design and aesthetics that would be as close as possible to an animated movie on one hand and to a video game on the other.

Plastic: 
Michal 'bonzaj' Staniszewski - script & direction
Michal 'misz' Szymczyk - lead code
Andrzej 'uho' Uszakow - code
Marek 'mare' Bielawski - code

music: Bent 'subsquare' Stamnes

Platige Image:
Director: Bartłomiej Kik, Jakub Jabłoński
Script: Jakub Jabłoński
Producers: Marcin Kobylecki , Marta Staniszewska
CG Supervisor: Michał Gryn
Layout: Kik Bartłomiej
Concept Arist: Jakub Jabłoński
Modeler and Texture Artists: Jakub Bogacki, Michał Gryn, Artur Owśnicki, Paweł Szczeszek, Piotr Tatar, Bartłomiej Walendziak, Marcin Więch, Tomasz Wróbel, Tomasz Zaborek
TD: Kamil Hepner, Michał Krupa, Mateusz Popławski
Character Animators: Sebastian Kalemba, Maciej Wojtkiewicz

Platige Image http://www.platige.com/

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