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Big tune from the Dubvision bro’s, perfecting their trademark sound with a full on progressive hit. Vertigo is all about the grandness of their craft, bursting into superb chords and compelling vocals as the track inevitably draws to a grand finale. Strong stuff in allround Dubvision style!
Since their climatic signing in 2014, Teddy Killerz have been working on these slabs of tectonic bass with the upmost precision. Wanting a release which reflected their inclination for hard-hitting, depth defying basslines and foreboding percussion loops, this next one from the eastern European trio is formidably huge.
It is clear to see why they were quickly picked up by Skrillex’s label, OWSLA, through a crowd baying competition during a remix contest. This lead to a few of their most prominent releases to date, including the remix of the certified dancefloor detonator ‘Ragga Bomb’ for the label owner, which Teddy Killerz switched up the tempo for.
And following this colossal feat is first track ‘Teddynator’. They’re unintimidated when following in the steps of their last few releases; this record is baying for blood with sharpened hooks and a drop which rolls out furiously. Pounding subs underpin a heavily imposing composition and there’s no denying its power in enveloping every aural synapse pulsating with the track’s bassline. For those of you unaware of who Teddy Killerz are, this is a cataclysmic introduction.
Up next, ‘Endlessly’ doesn’t allow you to pause for breath. A trait well-known within Teddy Killerz creeping production style breaks out in between waves of a powerful riddim. A dark tinkling which breaks out like a beacon against its backdrop, the tell-tale arpeggio adds to its ominous atmospherics. Lending a complexity which is both weighty and intricately fierce.
So proceed with caution. Littered with the kind of no holds barred stylistic features which made the producers infamous and lead to their Ram Records signing, this is only a precursor for what’s to come.
NERO ARE BACK with their incredible new track The Thrill, which will be released on June 7 on MTA. News of the track comes just weeks before the band are set to headline the Outdoor Theatre at Coachella next month on April 10 and 17. Revered for their spectacular live shows, this performance will mark the beginning of a compelling new chapter for NERO.
NERO are Daniel Stephens, Joseph Ray and Alana Watson. Their debut platinum selling album ‘Welcome Reality’ shot straight to number one upon it’s release in 2011 and contained the Grammy award winning and platinum selling single ‘Promises’. NERO have worked alongside Skrillex, Muse and more recently with Baz Luhrmann on the soundtrack for The Great Gatsby. The band have also performed a Dubstep Symphony with the BBC Philharmonic Orchestra live on Radio 1 and their last single ‘Satisfy’ premiered on the station as Zane Lowe’s hottest record in the world, run- ning for 4 weeks on the A list.
Notoriously secretive, we’ve heard rumours NERO are gearing up for something huge. 2015 al- ready holds a plethora of surprises from the band. The Thrill is just the beginning...
Sherwood & Pinch's collaborative album Late Night Endless, released last month, is the mouthwatering result of two storied producers coming together musically after a chance meeting at Fabric all the way back in 2011. Their dubbed-out, garage-adjacent track "Gimme Some More (Tight Light That)" is dark, sure, maybe with an element of creepiness to it, but the video they've put together is on a whole different level.
The video seemingly follows the perspective of a stalky individual following people around London all night and well into the daylight. On the occasion that someone turns around, the video cuts and we're on to the next one. The vid might be a commentary on the UK's surveillance state, but it also might just be the home movies of a creeper. You decide!
Yellow Claw’s huge hit getting reworked here into different guises. Dirtcaps and Tom Bridges staying close to the original, adding some heavy elements enhancing the rough parts, while LNY TNZ adds more energy and takes the track into hardstyle territory. A totally different ballgame comes from Moksi, remixing Till It Hurts into a groovy garage tune, and Belt & Wezol who create this smooth, extremely catchy house record. Nice package that shows how far the Yellow Claw tune can be taken.
WE ALL KNOW YOU LIKE IT A LITTLE HARDER. SO HERE IS 'TILL IT HURTS' IN THE LNY TNZ REMIX.
SHOUT OUT Yellow Claw, Ayden, Barong Family, Spinnin' Records, Insomniac, OPM Presents, Audio Havok, Ace Agency, Circle Talent Agency and all the crazy people who came out and rave with us!
