Next Transmission festival experiences:
► Saturday 25.11.2017 O2 arena Prague, Czech Republic:
Join the eventpage 👉 http://bit.ly/EventTMPRG17
Live stream 👉 http://transmission.events
► Saturday 17.03.2018 Bitec Hall 101, Bangkok, Thailand:
Join the event 👉 http://bit.ly/EventTMBKK18
Tickets 👉 http://bit.ly/TicketsTMBKK18
For more Transmission information visit http://TRANSMISSION.events
Facebook fanpage: http://fb.com/Transmission.Official
Twitter: https://twitter.com/TransmissionUM
Instagram: https://instagram.com/transmissionoff...
VK.com: https://vk.com/transmission.official
http://www.TRANSMISSION.events
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Sunday, November 26, 2017
Max Cooper - Resynthesis (official video by Kevin McGloughlin)
Featured on the new EP 'World Passing By'.
Out now: https://lnk.to/WorldPassingByEP
If you'd like to receive exclusive music, mixes, video and news you can sign up to the site at www.maxcooper.net/#join
Max Cooper:
"I had a lot of high speed train journeys recently and I love watching the wires seemingly dance around outside the window. I wondered if we could be getting fooled by a similar process during our usual experience of time, and thought it would be an interesting project for a music video set to the music created during the same journeys.
The wires outside the window are static but they appear to move because of our motion past them. Perhaps our usual experience of movement could be explained by a similar process, where time is a physical dimension into which everything grows, with the present as the surface of this inflating structure. It ties in to a lot of physics ideas which are very common, and I thought it could make for an interesting music video, if I could find someone who might be able to pull it off!
Luckily for me, one of my favourite visual artists, Kevin McGloughlin had already been experimenting with linked techniques and ideas, and he's gone to town on it with a multitude of techniques and editing precision to create something pretty special. And yes, there's certainly a nod to the original time-stretch slitscan effects of Kubrick's 2001.
I wanted to show the transition from our normal experience of time to a stretched out past as a physical structure when viewed from an alternative perspective outside of the dimensions we're usually constrained to.
One other interesting thing about this model of time is that it helps with some mind-pickling metaphysical conundrums around the sense in which the past exists. In this model it literally exists out there behind us as a physical 4D structure. If we could travel outside of our growing surface somehow and went back to the past it wouldn't be much fun though, we'd just find solid lifeless stretched out versions of ourselves.
For the music I wanted to bring these ideas of frozen moments of the past into play, and no better excuse to get stuck in with the Prophet 6 on some lush classic analogue synth sounds for the main chord sequence, and plenty of nob noodling for a dance of modulating sounds around the main sequence. I wanted to keep it fairly sparse to let the chord patch be central, and just focus on trying to make every element, including the percussion, warp a little, so you can either listen to the track from a distance and hear the harmonic ideas, or delve in to find all sorts more hiding in there. Kevin did an amazing (and painstaking) job of warping the video to sync with the audio detailing."
Kevin McGloughlin wrote about the project:
Max Cooper and I discussed ideas about space-time before embarking on the Resynthesis project.
We were on the same page for the most part, though, working with Max is always insightful and he enlightened me with some really fascinating ideas about space - time.
I was delighted to once again collaborate, especially with reference to 'time', which is such a relatable and unavoidable part of everyone and everything.
The track is really beautiful, I saw the visuals in the music quite clearly from the offset.
I could hear the 'time stretching' in the melodies and synths and I was greatly inspired by it.
My aspiration in this piece was to create a journey for the viewer, a passage through space and time, in an effort to represent time as a dimensional structure.
I aimed to convey existence as a solid component of time, an effort to glimpse the idea that our past still exists out there in a stretched, distorted dwelling..
I wanted to capture a human / mortal essence of time, displaying brief impressions of human interactions and activity, traveling in time.
All the fundamental assets were captured employing photography and realtime footage.
I stretched time in both 3d and 2d space using a wide variety of time displacement techniques, ranging from 'in camera' work to quite laborious post production work.
Fun Fact..Some of the clips contain exactly one googol videos playing simultaneously.
(using a method I devised some time ago*, ie.the second last very short clip)
Most of footage/photography was shot in Dublin Ireland, with additional shots from Co. Sligo.
Working with Max always makes for an interesting time.
https://www.instagram.com/kevinmcglou...
https://www.kevinmcgloughlin.com/
*https://vimeo.com/121643035
Out now: https://lnk.to/WorldPassingByEP
If you'd like to receive exclusive music, mixes, video and news you can sign up to the site at www.maxcooper.net/#join
Max Cooper:
"I had a lot of high speed train journeys recently and I love watching the wires seemingly dance around outside the window. I wondered if we could be getting fooled by a similar process during our usual experience of time, and thought it would be an interesting project for a music video set to the music created during the same journeys.
The wires outside the window are static but they appear to move because of our motion past them. Perhaps our usual experience of movement could be explained by a similar process, where time is a physical dimension into which everything grows, with the present as the surface of this inflating structure. It ties in to a lot of physics ideas which are very common, and I thought it could make for an interesting music video, if I could find someone who might be able to pull it off!
Luckily for me, one of my favourite visual artists, Kevin McGloughlin had already been experimenting with linked techniques and ideas, and he's gone to town on it with a multitude of techniques and editing precision to create something pretty special. And yes, there's certainly a nod to the original time-stretch slitscan effects of Kubrick's 2001.
I wanted to show the transition from our normal experience of time to a stretched out past as a physical structure when viewed from an alternative perspective outside of the dimensions we're usually constrained to.
One other interesting thing about this model of time is that it helps with some mind-pickling metaphysical conundrums around the sense in which the past exists. In this model it literally exists out there behind us as a physical 4D structure. If we could travel outside of our growing surface somehow and went back to the past it wouldn't be much fun though, we'd just find solid lifeless stretched out versions of ourselves.
For the music I wanted to bring these ideas of frozen moments of the past into play, and no better excuse to get stuck in with the Prophet 6 on some lush classic analogue synth sounds for the main chord sequence, and plenty of nob noodling for a dance of modulating sounds around the main sequence. I wanted to keep it fairly sparse to let the chord patch be central, and just focus on trying to make every element, including the percussion, warp a little, so you can either listen to the track from a distance and hear the harmonic ideas, or delve in to find all sorts more hiding in there. Kevin did an amazing (and painstaking) job of warping the video to sync with the audio detailing."
Kevin McGloughlin wrote about the project:
Max Cooper and I discussed ideas about space-time before embarking on the Resynthesis project.
We were on the same page for the most part, though, working with Max is always insightful and he enlightened me with some really fascinating ideas about space - time.
I was delighted to once again collaborate, especially with reference to 'time', which is such a relatable and unavoidable part of everyone and everything.
The track is really beautiful, I saw the visuals in the music quite clearly from the offset.
I could hear the 'time stretching' in the melodies and synths and I was greatly inspired by it.
My aspiration in this piece was to create a journey for the viewer, a passage through space and time, in an effort to represent time as a dimensional structure.
I aimed to convey existence as a solid component of time, an effort to glimpse the idea that our past still exists out there in a stretched, distorted dwelling..
I wanted to capture a human / mortal essence of time, displaying brief impressions of human interactions and activity, traveling in time.
All the fundamental assets were captured employing photography and realtime footage.
I stretched time in both 3d and 2d space using a wide variety of time displacement techniques, ranging from 'in camera' work to quite laborious post production work.
Fun Fact..Some of the clips contain exactly one googol videos playing simultaneously.
(using a method I devised some time ago*, ie.the second last very short clip)
Most of footage/photography was shot in Dublin Ireland, with additional shots from Co. Sligo.
Working with Max always makes for an interesting time.
https://www.instagram.com/kevinmcglou...
https://www.kevinmcgloughlin.com/
*https://vimeo.com/121643035
HASHIM - AL-NAAFIYSH - BONESBREAKS 808 RAW MIX - Bones Breaks It Down!
HASHIM - AL-NAAFIYSH - BONESBREAKS 808 RAW MIX
FRANKIE BONES
"The Soul. By reprogramming and isolating the raw 808 beats of Hashim, I could explain how important the Roland 808 Rhythm Composer was for most of the young DJ's in New York City in 1983. This beat was playing in my head 24/7 for many years. Electro which had evolved into Freestyle in the 1980's was our music. It had appeared that Chicago House and Detroit Techno may have never penetrated my ears had Al-Naafiysh was not written. Of course Detroit had Juan Atkins making music during that same time line. But we were not concerned with a straight kick drum and only really cared about Chicago House by layering breaks and more electro beats under it. That was our thing in New York City. Todd Terry made it cool and Bonesbreaks was also running in that same time line. In my teenage years I was friends with Omar Santana & Carlos Berrios. It was beats like these which fueled our passion to make music. And it never really went away."
- Frankie Bones
FRANKIE BONES SOUNDCLOUD > https://soundcloud.com/frankiebones
FRANKIE BONES FB> https://www.facebook.com/DJFRANKIEBONES?fref=nf
- Frankie Bones
FRANKIE BONES
"The Soul. By reprogramming and isolating the raw 808 beats of Hashim, I could explain how important the Roland 808 Rhythm Composer was for most of the young DJ's in New York City in 1983. This beat was playing in my head 24/7 for many years. Electro which had evolved into Freestyle in the 1980's was our music. It had appeared that Chicago House and Detroit Techno may have never penetrated my ears had Al-Naafiysh was not written. Of course Detroit had Juan Atkins making music during that same time line. But we were not concerned with a straight kick drum and only really cared about Chicago House by layering breaks and more electro beats under it. That was our thing in New York City. Todd Terry made it cool and Bonesbreaks was also running in that same time line. In my teenage years I was friends with Omar Santana & Carlos Berrios. It was beats like these which fueled our passion to make music. And it never really went away."
- Frankie Bones
FRANKIE BONES SOUNDCLOUD > https://soundcloud.com/frankiebones
FRANKIE BONES FB> https://www.facebook.com/DJFRANKIEBONES?fref=nf
- Frankie Bones
Scratch Break - Jeepney Cuts (feat. Arthug
Scratch Break - Jeepney Cuts (feat. Arthug
Saturday, November 25, 2017
★ Antoine Troupe ★ Dangerous ★ Fair Play Dance Camp 2017 ★
Fair Play Dance Camp - It's the event you want to join, when you are ready to learn from the best choreographers in the world and when you understand that dance workshops can be a breakthrough experience for your passion and stage career.
We are #readyformore
International dance events in Poland calendar 2018:
▶︎ WORD OF DANCE Warsaw, 28th April, http://worldofdance.com
▶︎ FAIR PLAY SUMMIT Warsaw, 29-30 April, http://fairplaysummit.com
▶︎ FAIR PLAY DANCE CAMP Cracow, 4-14 August, http://fpdancecamp.com
FOLLOW FAIR PLAY SUMMIT HERE ON WWW:
http://fairplaysummit.com World Dance Convention
FOLLOW FAIR PLAY DANCE CAMP HERE ON WWW: https://www.fpdancecamp.com The biggest educational dance festival in Europe.
FOLLOW FAIR PLAY DANCE CAMP HERE ON YOUTUBE:
https://www.youtube.com/user/fairplay...
FOLLOW FAIR PLAY DANCE CAMP HERE ON FACEBOOK:
https://www.facebook.com/fairplaydanc...
EVERYTHING ABOUT WORLD OF DANCE HERE:
https://worldofdance.com/
Line Up of Fair Play Dance Camp summer 2017:
★ Matt Steffanina [ USA ]
★ Salah [ France ]
★ Rie Hata [ Japan ]
★ Willdabeast [ USA ]
★ Ian Eastwood [ USA ]
★ Jojo Gomez [ USA ]
★ Lyle Beniga [ USA ]
★ Paradox [ Netherlands ]
★ Dytto [ USA ]
★ Robert Green [ USA ]
★ Kaelynn Harris [ USA ]
★ Tony Tzar [ USA ]
★ Keone Madrid [ USA ]
★ Mari Madrid [ USA ]
★ Henry Link [ USA ]
★ Duc Anh Tran [ Hungary ]
★ Josh Williams [ USA ]
★ Laure Courtellemont [ France / USA ]
★ Antoine Troupe [ USA ]
★ Ysabelle Capitule [ USA ]
★ Lando Wilkins [ USA ]
★ Kapela Marna [ France ]
★ Kenzo Alvares [ Netherlands ]
★ Brian Puspos [ USA ]
The only opportunity to learn dance from all these
INCREDIBLE TEACHERS!
Experience the atmosphere and power of THE BIGGEST EDUCATIONAL DANCE FESTIVAL in Europe.
▶︎ scholarships for dance education in Los Angeles
▶︎ 1000 dancers from all over the world,
▶︎ 10 intense days of dancing, development, motivation and entertainment
▶︎ 86 hours of workshops and training sessions at two dance halls
▶︎ 25 best teachers sharing their skills, knowledge and stories of their success
▶︎ 10 epic events and parties (FPDC Showcase, Killer of Classes, Dance Battle to the Beatbox, All styles battle and many more)
▶︎ MASTERCLASS workshops series, Fair Play Academy: THE BOOST sessions, STREET SESSIONS and other
▶︎ various types of classes: choreography, house, hip-hop, ragga jam, locking, popping, physical training
▶︎ convenient location in Cracow - beautiful, historic city
DAY & NIGHT ACTIVITIES, ACCOMMODATION AND FOOD
- ALL IN ONE PLACE!
PRICES AND REGISTRATION: www.fpdancecamp.com
#fairplaydancecamp #goodvibesonly #readyformore #kraków #poland
_
Edited by:
Borys Dubiański
Camera:
Michał Wilk (Evil Wolf Studio)
Music:
Michael Jackson - Dangerous
We are #readyformore
International dance events in Poland calendar 2018:
▶︎ WORD OF DANCE Warsaw, 28th April, http://worldofdance.com
▶︎ FAIR PLAY SUMMIT Warsaw, 29-30 April, http://fairplaysummit.com
▶︎ FAIR PLAY DANCE CAMP Cracow, 4-14 August, http://fpdancecamp.com
FOLLOW FAIR PLAY SUMMIT HERE ON WWW:
http://fairplaysummit.com World Dance Convention
FOLLOW FAIR PLAY DANCE CAMP HERE ON WWW: https://www.fpdancecamp.com The biggest educational dance festival in Europe.
FOLLOW FAIR PLAY DANCE CAMP HERE ON YOUTUBE:
https://www.youtube.com/user/fairplay...
FOLLOW FAIR PLAY DANCE CAMP HERE ON FACEBOOK:
https://www.facebook.com/fairplaydanc...
EVERYTHING ABOUT WORLD OF DANCE HERE:
https://worldofdance.com/
Line Up of Fair Play Dance Camp summer 2017:
★ Matt Steffanina [ USA ]
★ Salah [ France ]
★ Rie Hata [ Japan ]
★ Willdabeast [ USA ]
★ Ian Eastwood [ USA ]
★ Jojo Gomez [ USA ]
★ Lyle Beniga [ USA ]
★ Paradox [ Netherlands ]
★ Dytto [ USA ]
★ Robert Green [ USA ]
★ Kaelynn Harris [ USA ]
★ Tony Tzar [ USA ]
★ Keone Madrid [ USA ]
★ Mari Madrid [ USA ]
★ Henry Link [ USA ]
★ Duc Anh Tran [ Hungary ]
★ Josh Williams [ USA ]
★ Laure Courtellemont [ France / USA ]
★ Antoine Troupe [ USA ]
★ Ysabelle Capitule [ USA ]
★ Lando Wilkins [ USA ]
★ Kapela Marna [ France ]
★ Kenzo Alvares [ Netherlands ]
★ Brian Puspos [ USA ]
The only opportunity to learn dance from all these
INCREDIBLE TEACHERS!
Experience the atmosphere and power of THE BIGGEST EDUCATIONAL DANCE FESTIVAL in Europe.
▶︎ scholarships for dance education in Los Angeles
▶︎ 1000 dancers from all over the world,
▶︎ 10 intense days of dancing, development, motivation and entertainment
▶︎ 86 hours of workshops and training sessions at two dance halls
▶︎ 25 best teachers sharing their skills, knowledge and stories of their success
▶︎ 10 epic events and parties (FPDC Showcase, Killer of Classes, Dance Battle to the Beatbox, All styles battle and many more)
▶︎ MASTERCLASS workshops series, Fair Play Academy: THE BOOST sessions, STREET SESSIONS and other
▶︎ various types of classes: choreography, house, hip-hop, ragga jam, locking, popping, physical training
▶︎ convenient location in Cracow - beautiful, historic city
DAY & NIGHT ACTIVITIES, ACCOMMODATION AND FOOD
- ALL IN ONE PLACE!
PRICES AND REGISTRATION: www.fpdancecamp.com
#fairplaydancecamp #goodvibesonly #readyformore #kraków #poland
_
Edited by:
Borys Dubiański
Camera:
Michał Wilk (Evil Wolf Studio)
Music:
Michael Jackson - Dangerous
Julian Calor x ReauBeau - Lost in Nightlife (Dyro Edit)
Julian Calor x ReauBeau - Lost in Nightlife (Dyro Edit)
Out now: https://WLV047.lnk.to/LINDE
Connect with DYRO:
http://www.dyro.nl
http://facebook.com/officialdyro
http://instagram.com/dyro
https://soundcloud.com/dyro
http://twitter.com/dyro
Out now: https://WLV047.lnk.to/LINDE
Connect with DYRO:
http://www.dyro.nl
http://facebook.com/officialdyro
http://instagram.com/dyro
https://soundcloud.com/dyro
http://twitter.com/dyro
U-Recken - Lost Paradise (Digicult Remix) [Video Clip]
Subscribe: http://bit.ly/SubscribeDacruRecords
Support: https://www.beatport.com/release/days...
U-Recken & Digicult - Days in Paradise, release date: 27.11.2017 by Dacru Records - DCREP074
DigiCult & U-Recken have proven to be a successful combo. For this fresh ep DigiCult has remixed U-Recken's 2006 classic Lost Paradise. U-Recken from his side did a special remake of Days In Space, a collaboration with DigiCult from 2008.
Follow:
U-Recken: https://www.facebook.com/urecken
DigiCult: https://www.facebook.com/digicultmusic
Also check out:
Tropical Bleyage - Reality Drop: http://bit.ly/2zWTDqM
More Dacru Records:
http://www.dacru.be
https://www.facebook.com/dacrurecords
https://pro.beatport.com/label/dacru-...
http://shop.dacru.be/
Dacru Records is a Belgian psytrance label. The label boosts a strong selection of artists, from major names with a 20 year career under the belt to younger promising talents. The rosters includes names like U-Recken, Talamasca, DigiCult, Spirit Architect, Tropical Bleyage, Bitkit, E-Mov, Electric Universe, Aquila, Overdrive, A-Tech, Transient Disorder and more. The aim is to release timeless music with a strong emphasis on the psychedelic and melodic.
Besides being a record label Dacru has also been making a name as event promoter with over 80 events since 2001, that’s a whole of a lot of experience that goes into organizing quality productions. The events have taken place all over Belgium, from The Netherlands to Germany and even in exotic places as Thailand and include big and small indoor events, open air festivals, bus trips, 11 day pop up clubs and more. Some of the party lines include Organic Dreams, Tribal Roots, After Sunrise and Nova’s Incident open air.
This channel is powered by Trancentral.
Subscribe for updates: http://bit.ly/TrancentralSubscribe
Support: https://www.beatport.com/release/days...
U-Recken & Digicult - Days in Paradise, release date: 27.11.2017 by Dacru Records - DCREP074
DigiCult & U-Recken have proven to be a successful combo. For this fresh ep DigiCult has remixed U-Recken's 2006 classic Lost Paradise. U-Recken from his side did a special remake of Days In Space, a collaboration with DigiCult from 2008.
Follow:
U-Recken: https://www.facebook.com/urecken
DigiCult: https://www.facebook.com/digicultmusic
Also check out:
Tropical Bleyage - Reality Drop: http://bit.ly/2zWTDqM
More Dacru Records:
http://www.dacru.be
https://www.facebook.com/dacrurecords
https://pro.beatport.com/label/dacru-...
http://shop.dacru.be/
Dacru Records is a Belgian psytrance label. The label boosts a strong selection of artists, from major names with a 20 year career under the belt to younger promising talents. The rosters includes names like U-Recken, Talamasca, DigiCult, Spirit Architect, Tropical Bleyage, Bitkit, E-Mov, Electric Universe, Aquila, Overdrive, A-Tech, Transient Disorder and more. The aim is to release timeless music with a strong emphasis on the psychedelic and melodic.
Besides being a record label Dacru has also been making a name as event promoter with over 80 events since 2001, that’s a whole of a lot of experience that goes into organizing quality productions. The events have taken place all over Belgium, from The Netherlands to Germany and even in exotic places as Thailand and include big and small indoor events, open air festivals, bus trips, 11 day pop up clubs and more. Some of the party lines include Organic Dreams, Tribal Roots, After Sunrise and Nova’s Incident open air.
This channel is powered by Trancentral.
Subscribe for updates: http://bit.ly/TrancentralSubscribe
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